{"id":2872,"date":"2019-05-11T12:29:03","date_gmt":"2019-05-11T10:29:03","guid":{"rendered":"http:\/\/www.archiviogiannicolombo.org\/le-diable-au-corps-quand-lop-art-electrise-le-cinema\/"},"modified":"2019-10-15T11:47:01","modified_gmt":"2019-10-15T09:47:01","slug":"le-diable-au-corps-quand-lop-art-electrise-le-cinema","status":"publish","type":"post","link":"https:\/\/www.archiviogiannicolombo.org\/en\/le-diable-au-corps-quand-lop-art-electrise-le-cinema\/","title":{"rendered":"NICE – MAMAC – Le diable au corps. Quand l\u2019Op Art \u00e9lectrise le cin\u00e9ma"},"content":{"rendered":"

Au d\u00e9but des ann\u00e9es 1960, l\u2019art cin\u00e9tique s\u2019impose partout en Europe avec un double cr\u00e9do : d\u00e9stabiliser la perception et d\u00e9mocratiser l\u2019art. Peintures \u00e0 illusions d\u2019optique, reliefs \u00e0 lumi\u00e8re motoris\u00e9s, et environnements \u00e0 vertige offrent des exp\u00e9riences de plaisir et d\u2019inconfort. Baptis\u00e9 \u00ab Op Art \u00bb en 1964, cet art d\u2019avant-garde, si populaire, rencontre un succ\u00e8s retentissant aupr\u00e8s du grand public. Art du mouvement et de la lumi\u00e8re, le cin\u00e9ma est, quant \u00e0 lui, \u00e0 la fois un pr\u00e9d\u00e9cesseur, apte \u00e0 sublimer ses jeux visuels, et un suiveur, qui cherche \u00e0 le vampiriser par d\u00e9sir de modernit\u00e9. L\u2019exposition plonge ainsi le visiteur au sein d\u2019une histoire passionnelle entre deux arts aux frictions fructueuses. Les films pr\u00e9sent\u00e9s sont ponctu\u00e9s de persiflages et d\u2019incompr\u00e9hensions, de sublimation r\u00e9ciproque, d\u2019enfantements pop ou baroques, de collaborations ou de plagiat.<\/p>\n

Commissariat :<\/strong> H\u00e9l\u00e8ne Guenin, directrice du MAMAC et Pauline Mari, historienne de l\u2019art.<\/p>\n

Le diable au corps. Quand l\u2019Op Art \u00e9lectrise le cin\u00e9ma
\nDans le cadre de la biennale des arts Nice 2019 : L\u2019Odyss\u00e9e du cin\u00e9ma. La Victorine a 100 ans.<\/span>
\nMAMAC – NICE
\n<\/span>17 may – 29 september 2019<\/span><\/span><\/p>\n

Le diable au corps : d\u2019apr\u00e8s Fran\u00e7ois Truffaut, \u00ab Les Quatre Cents Coups \u00bb, sc\u00e9nario, archives de la Biblioth\u00e8que du film, La Cin\u00e9math\u00e8que de Paris : \u00ab Nous le reprochait-on assez de ne pas tenir en place et d\u2019avoir le diable au corps ? \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

Au d\u00e9but des ann\u00e9es 1960, l\u2019art cin\u00e9tique s\u2019impose partout en Europe avec un double cr\u00e9do : d\u00e9stabiliser la…<\/p>\n","protected":false},"author":1,"featured_media":2870,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[116],"tags":[],"yoast_head":"\nNICE - MAMAC - Le diable au corps. Quand l\u2019Op Art \u00e9lectrise le cin\u00e9ma - Archivio Gianni Colombo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.archiviogiannicolombo.org\/en\/le-diable-au-corps-quand-lop-art-electrise-le-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NICE - MAMAC - Le diable au corps. 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